How to Build a Bloody Mary
Written by Rita Strayer
This one should be good. “Did I ever tell you about the time I killed my Grandfather?” Mark asks with a grin. Earlier tonight, with more urgency, he had asked me to run the container of empty brown bottles to the recycling bin.
“Nope,” I laugh, pouring Kettle One over a tall tumbler of ice. I haven’t laughed in hours, though usually when Mark and I work together we have fun. Tonight was not a good night, and I’m feeling more anxious than usual to get the last sloppy drunk out of the building and sit with Mark for a few drinks of our own.
This particular night had been longer and more irritating than usual. I was moody from the very beginning of my shift, when Spencer’s friends came in. He and the kids he grew up with are now, though fun-loving and good tippers, a group of young elitists. They grew up together in our town’s most expensive area, known for its hilly acres and gated entrance. Each had gone away for his four years of college before returning home to take over the family practice or business. Spencer wasn’t with them tonight, and I knew I could forget about him. His friends flirted with me tonight, and I knew he must speak to them about me with the same emphasis he might speak of an appetizer he liked from his favorite menu.
Mark watches as I poured V8 over the vodka. “This is the grandfather who practically raised me and my brother. I mean, the old man was at every. last. one of our soccer games-every one- took us to all the practices too. Took us and picked us up. Right, and he didn’t know the first thing about soccer, our dad taught us how to play soccer, but it made Pap happy, you know, to be involved somehow. Yeah.” Mark pauses, relaxing his face with a fluttering upwards glance, and lifts his beer before continuing. “Yeah. And if it wasn’t soccer, it was fishing. The fucker lived to fish.”
Mark has a unique way of talking about people. For him, calling his grandfather a fucker is not different than calling him a saint. A good bartender leaves emotional embellishment out of his stories. Most people have some ulterior motive in telling a story. They’ll attach personal sentiment to a story to inspire the listener’s pity for the speaker. Or they tell a biased version that allows them to portray themselves in a righteous light. Mark doesn’t do any of that.
He keeps talking, about his grandfather fishing, and then about the time his grandfather was arrested when he was caught teaching Mark driving lessons at age 11. This story is taking longer than usual. Finishing my first drink, I nod at Mark to show I’m still listening and move back behind the bar to build another one.
At this point my mind is wandering, and I remember that The Sad Lady had been in earlier that night. The Sad Lady has thinning hair, bleached strands teased violently in hopes of achieving an illusion of thickness. She always wears a smear of blue eye-shadow, a dry ocean wash magnified behind coke-bottle glasses. I’ve always avoided talking to her, afraid of her bad luck with men, and the heavy flesh surging beneath her too-tight jeans. I always give the appearance of being in a hurry when delivering her gin and tonics, afraid that a conversation with her might invite her plague into my own life. Mark talks to her though. Tonight she was at her worst, because the man she’d left the bar with last week had turned out to be married. Her cat had been missing for six days. Her mother had called. “Sometimes,” I had watched her say to Mark, looking up from the bubbles she had inspired with her straw, “I know there’s no point, and I just want this life to be over.”
I added more Worcestershire sauce this time and more Tabasco too. The flavor’s always good, but never spicy enough for me. I glance at Mark, who’s paused to sip from his Guinness. “One night I had been out all night partying. Now this was… ooh, 9 years ago? And I came home at about 5, and Anthony said to me, ‘hey man, your mom called’, and I’m thinking, ‘yeah, so?’. You know, because I’d been out all night, just doing lines left and right, offa mirrors this long--cuz in those days, there was plenty of that shit to be had, not that I still would even be interested--but this town was like a ski resort in those days, there was so much blow. Anyway, Anthony knew I was all fucked up, but he had to tell me. Yeah, so my grandfather had drowned while I was out getting all fucked up.”
I raised my eyebrows at Mark and waited for him to continue. “I knew he hadn’t really killed his grandfather”, I thought as I remixed my Bloody Mary. I ground pepper on top and added more Old Bay. Mark’s always telling me to try adding Guinness to thicken it up, so I tip some of his draft into the shaker.
It burns my throat, and Mark waits for my coughing to subside before he continues. “He had a lot of heath problems when he got up there in years. He had just had a tracheotomy, and so was missing the flap that keeps the fluids you drink from flooding your lungs”, Mark opened his mouth and pointed to where his grandfathers flap should be. “Anything he drank had to be mixed with this stuff that thickened it, so it wouldn’t fill his lungs. Or the fucker would die. But I didn’t know that-I had been in Florida for a month with my girlfriend, and this tracheotomy business happened while I was gone. But the hospital’s on the way home from the airport, so I stopped in to see Pap on my way home. And we’re sitting there, and we’re talking. But I mean really, he’s whispering, can barely make a sound, and I got my ear-literally!- right next to his mouth, like this” and Mark bends down and puts his ear to my face, “because he’s so raspy and shit. I can not hear a word he’s saying!
“So I offer him some water, and the bitch’s eyes just light up! He reaches with both hands for this big glass of water, and just chugs it, and when he’s done, I fill the glass up again and he drinks all of that too. And then I can hear him just fine. And we talk. I mean it was like I was a kid again, asking him for advice, and he’s givin’ some real insight for the first time in years-because the fuckers goin’ on 80, at this point, and hasn’t really been making much sense in years. I spent about three hours with him that day, and, yeah… It was a great visit, and we were both happy, I mean really laughing and understanding each other. And that night he died.”
I’m staring at Mark as he walks around to the other end of the bar to pour himself another beer. He calls over to me, “My whole family knows that I gave him water, and they’re glad. We all thought it was better this way. I don’t regret it a bit.” The Guinness keg kicks as he pours his draft. “Shit,” Mark said, and goes back into the cooler to change the keg. I feel the straw in my mouth and take a large gulp of my drink.
It ignites the path of my throat, oozing along in one blazing lump, but I sit motionless, and a spicy tear rolls down my cheek and into my Bloody Mary.
Third Shift
Written by Dan Frankenfield
It's late at night. I park my bike in the bushes and lock it up. The trucks are driving in and out and you can never be sure. The drivers get higher wages and benefits, and there’s something to them you just can’t be sure about. But in the end, the bike is always there. I smoke a cigarette. Bob sits on the loading dock. He rolls his own cigarettes with Tops mentholated tobacco. He smokes them down to the nub. It’s something that he doesn’t singe that ratty beard right off.
“Must save a lot of money like that, rolling your own.”
“Yeah. I save some.”
“Tonight'll be hell.”
“Hell for you maybe.”
“Yeah. Hell for me.”
It's eleven o clock. The bell rings and we walk inside. Bob gets on the main loader and I get into the booth. The usual help didn't show up so I'll have to do their job too. That means I'll have to run to Bob for a cart and then have to thank Bob each time and then take the cart back.
The papers come shuffling from the conveyer belt hanging from the ceiling. They shuffle down into the chute and Bob watches twenty papers drop, then the whole slot jerks a full turn and another twenty papers drop on top of them. Bob splits the pile of papers, sending half of them down the rollers to me, and then loads the other half onto a cart. Every now and then, these guys come and take all our carts off. Nobody knows why.
And every now and then the printing press jams and production stops. We’ll have to stop the whole assembly line of hoppers, the people loading the inserts, because there won't be enough papers. Bob is under strict instructions from Chuck to keep those carts loaded. That means I won't have papers and the hoppers will be forced to shut down and everyone will have to stay and extra hour or two. They all say they aint staying 'nother ten goddamned minutes.
But it doesn't matter. Staying an extra hour or two is nothing when three in the afternoon is beating through your walls. The shades are drawn down but the sunlight is as bright as hell and manages to squeak through every crack. The bed sheets are soaked in sweat from the tossing and turning and you’ll beat your fists on the pillow as everyone else on the outside goes about their world.
Things are running smoothly tonight. Papers are in great supply. It's a cool summer night. It doesn’t get any better.
“Not too bad. Eh, Bob?”
“Nope, not too bad.”
“Got any plans after this?”
“Hunting.”
“Hunting what?”
“Whatever comes along.”
“Going with some buddies?”
“Just me and me good eye.”
My job is to take a stack of papers, jog them out on the jogger so all the spines are flush and then load the conveyer belt which feeds the papers into the assembly line where they will be filled with the inserts that are being loaded by the hoppers. That’s what I do. I'm the brains of the operation.
Next thing I know, the press is powering down. It's a little before one. The ceiling conveyer belt goes empty. I look at Bob. Bob loads the cart.
“Any idea?”
“No idea.”
I decide to get a soda. Maybe a cola. Maybe a candy bar to go with it.
“I’ll be in the break room.”
“You better be back when it's back on.”
“It won't be back on.”
The break room is sort of nice. It’s nicely lit. It has a bookshelf. Mostly paperback romance novels, a couple religious self-help books, a biography on Johnny Cochran. The walls of the break room are big panes of glass, and outside, the world is dead. The lighting is like an oasis. The break room even has a microwave oven where you can heat up a meat ball sub out of the machine.
I've been gone a few minutes, and haven’t decided anything. If the printing press start were to start again and I missed it, no one would be there and Bob would have to do the sorting and loading himself. No one is capable of that. Not even Bob, not even after twenty years. All the hoppers would be waiting and waiting for the papers to get there and Bob, trying to do it all, would jam up the whole feeder. The maintenance guys would have to come in and fix everything while I’d stand around, chewing a candy bar. It was grounds for termination.
I get back to the loader and the presses are still down. I step into the doorway to smoke a cigarette. There is a no smoking sign on the door and the boss comes down. She asks for a cigarette. Life hadn't been kind to her. I give her one. We light them and each take a drag and then another. The presses start rolling. She tosses hers.
“Can I take this in?”
“Afraid not.”
“I see Chuck smoking in his office all the time.”
“Chuck has been here for forty years.”
“I understand.”
Chuck Marcione has been there forty years. He has his own office after forty years of service. It's a decent office. He let me smoke in there once when I was working as a delivery driver. We used to chit chat, Chuck and me.
“Having a good night, Eddie?”
“Fair I guess.”
“I like that. Work is fair.”
Then I lost my license and I was back on the main loader with Bob. For better or worse I suppose; work is fair.
When I finish the soda it's four am. Bob is loading the last carts. The printing has stopped for good. There are eight carts in excess we have to get through before the night is over.
I continue to jog the papers and load the papers and the hoppers continue to jog their inserts and load their inserts and the bell rings.
In the bathroom I use the sandy soap mix to get the ink off my arms, hands and face but you can never get it all. I go outside and sit on the concrete ledge.
“See you tonight, Bob?”
“See you tonight.”
The sky is a dark blue and the birds are chirping. There is a hint of sun on the horizon and I know that three pm is going to be a very ugly thing.
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